Fer real-sies . Subsequent to Nvidia executives admitting that AI is more expensive than workers, Uber CEO I think it was the CEO said the same thing.
There’s no way to measure productivity with AI. Using it is a crapshoot. Ed Zitron says he has asked everybody he can find if they have a way to measure the difference in productivity and they say no.
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This is especially true when it comes to debugging. AI can't troubleshoot, like at all. It uses up a ridiculous number of tokens trying to root cause something.
You have to remember that you're using tokens not just to replace workers, but to discourage unionisation. And you can't put price for something like that.
Surely the return is just around the corner. They should empty Lake Tahoe to find out.
Then we can put them in the dry very-bottom, and fill it with all the server towers they worship so much. Like they're still-kicking Egyptian kings, getting to take all their treasure with them to the afterlife and think about it for a minute first.
I hope with my whole being that when consultant humans are called back to fix this portajohn of a mess that y'all charge them more than they pay their fucking CEOs. Take your moment when it comes and make the most of it humans - stick it to the capitalist asshats. Otherwise they will never learn so technically you'd be doing them a favor.
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EDIT: Ist nun erst mal reserviert. Danke euch für das explosive Boosten! ❤
Musik-Bubble! Ich hab hier einen funktionsfähigen DX-7 samt ROM2, an dem ich viel zu selten spiele und er daher nur vor sich hin staubt. Gibt es im Raum Stuttgart Menschis, die sowas schon immer mal haben wollten? Boosten wäre highly appreciated.
Dieser Beitrag wurde bearbeitet. (Sonntag, 7. Juni 2026, 09:51)
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Oh, was für ein schönes Teil!! Aber ich glaube, das wird mir sicher viel zu teuer sein. Und ich komme auch nicht aus dem Raum Stuttgart, sondern erst aus Frankfurt 🙁
Lunch break but only half, switched context, sinking into internal research, stumbling across the pitfalls of fast-changing technological ecosystems, missing documentation, fragile subsystems hidden under layers and layers of complexity. Being told the obvious answer when asking outside ones own scope for help. Not sure the model should be trusted here. Source code meditations. #outerworld #concrete city #home office hours #where we do what we do #stories of fragile complexity
New walls: 30 fresh street art finds with memory, folklore, satire, pop culture, and wild imagination.
This round moves from Colombia’s high-Andean water memory to a Belgian skatepark pillar, from a playful Utrecht corner to an abandoned airplane painted in Armenia. Expect birds, giant portraits, political bite, ancestral landscapes, calligraphy, video-game heat, mountain stillness, village stories, and public art that carries more history than it first reveals.
🌊 “Arraigo, memoria del agua” — By Franklin Piaguaje in Villapinzón, Colombia 🇨🇴
Franklin Piaguaje treats the wall as an archive. Two red-toned faces share one sweeping hat. Animals gather around the portrait, and a bright-eyed bird cuts through the warm color. The mural stays close to roots, guardianship, water, and memory.
🧪 “Breaking Bad” — By Djoels in Kortrijk, Belgium 🇧🇪
Djoels turns the concrete pillar into a stare that follows you. The grayscale portrait is tight and heavy: narrowed eyes, hard shadows, glasses, beard, wrinkles, and a gas mask pushed onto the head. The artist presented it simply as “Breaking Bad!”, and the Walter White likeness makes the skatepark feel like a set.
💡 Nerd Fact: Walter White’s alias “Heisenberg” points to Werner Heisenberg, the Nobel-winning physicist linked to the uncertainty principle. In Breaking Bad, the name works as a criminal mask: the quiet chemistry teacher becomes someone people can no longer measure, predict, or safely read.
🐦 Wingbeat — By Adrian Aguilar in Puerto de la Torre, Spain 🇪🇸
Adrian Aguilar opens a small forest scene in the concrete. A bird lifts from the shadow, orange-and-gold wings wide, with soft green light behind it.
The raw edges matter. The mural does not cover the whole wall; it cuts a painted window into it.
💡 Nerd Fact:Puerto de la Torre is a district of Málaga, not the postcard center most visitors associate with the city. That makes this little bird feel like a neighborhood pause: a wild signal placed where daily routes, not tourist checklists, do the looking.
🐢 Spray-Can Turtle — By Chino Graff in Los Santos de Maimona, Spain 🇪🇸
Chino Graff goes full comic-book here. The masked turtle-like character grips a spray can like a weapon, with deep shadows, glossy highlights, and a red blast behind it. Fast, mischievous, and ready for the next surface.
💡 Nerd Fact: LaFábrika detodalavida is more than a venue name. LFDTV describes itself as a participatory cultural space inside an abandoned cement factory in rural Extremadura, built around self-management, culture, and local opportunity. So the turtle is not just guarding a spray can; it is painted inside a community experiment that gave an industrial ruin a new life.
🏚️ “Dear Old Thing” — By GRAFFMATT in Bristol, UK 🇬🇧
GRAFFMATT piles an impossible home onto an old car. A wooden house, armchair, water tank, windmill, wings, chimney pipes, and a small rooftop figure all balance in one floating stack. It feels like a moving home for someone carrying the past with them.
🧸 The Secret Corner Shelf — By JanIsDeMan in Utrecht, Netherlands 🇳🇱
JanIsDeMan finds a strange blank corner and makes it useful, at least in painted form. The brick facade becomes an open shelf with a glass, a board game, a plant, a watering can, and a small toy-like figure above the roofline.
⚜️ “Ceci n’est pas une femme” — By K2B Graff & Naja Calligraphie in Elbeuf, France 🇫🇷
K2B Graff and Naja Calligraphie build the portrait around strength, armor, and ornament. The face looks straight out from the wall. Gold calligraphy crosses the skin like scars, jewelry, mask, and language at once.
💡 Nerd Fact:Street Art Avenue documents the mural as a work made for International Women’s Day after an online call gathered hundreds of testimonies. The title echoes Magritte’s famous “Ceci n’est pas une pipe,” but the twist is political: this is not “a woman” as an object to look at; it is a collective figure built from women’s words, wounds, strength, and resilience.
Ludbird gives the macaw the full portrait treatment. Red, orange, yellow, blue, and green feathers stack around the huge beak and alert eye. The round blue background pushes the bird forward, and the plant beside the wall quietly joins in.
💡 Bird Fact: The bird reads like a red-and-green macaw, a species recorded across much of northern and central South America by Animal Diversity Web. In Brazil, macaws are not just “tropical color” symbols; Instituto Arara Azul highlights habitat loss and illegal capture among the pressures that make these birds part of a conservation story too.
🕶️ Orange Glasses & Gold Halo — By Maria Juana, Salte Quiróz & Catrin Valadez in Xalapa, Mexico 🇲🇽
This collaboration has the feel of a street shrine built from style. The grayscale face stays cool and still. The orange lenses warm it up, and the gold calligraphy halo brings lettering, fashion, tattoo culture, and mural painting into one frame.
🧩 Building in Motion — By Peeta in Porrentruy, Switzerland 🇨🇭
Peeta makes the apartment block look as if it is folding open. Beige geometric ribbons wrap around the real windows, and painted shadows give the flat facade the weight of a sculptural knot.
💡 Nerd Fact: Peeta is the street name of Italian artist Manuel Di Rita, and Collater.al documents this Porrentruy wall as a POPA Festival project made with Popa Museum and Art From Street. The location is part of the story too: festival coverage places the mural at La Colombière 7, turning an ordinary apartment address into a public-art stop.
🌵 “La guardiana del Canto Oscuro” — By Rocío Darynée in San Pedro Chicozapotes, Mexico 🇲🇽
Rocío Darynée paints a desert ceremony. A woman draws water through her hair while cacti, agave, fruit, roots, and a small animal scene gather around her. The purple and magenta background makes the plants and figures glow.
✨ The Spark Between Worlds — By SatAndy, María García-Diéguez & Fresa in Nezahualcóyotl, Mexico 🇲🇽
This long wall works like a portal. On one side, a blue butterfly-like figure leans in from pink and violet. On the other, a girl reaches toward light between two hands. Gold patterns and graffiti structure hold the scene together: fantasy, lettering, and touch in one sweep.
💡 Nerd Fact: Nezahualcóyotl is not just a place name. It comes from the Acolhua ruler and poet Nezahualcóyotl, whose name is often translated as “fasting coyote.” Britannica notes that the modern municipality sits east of Mexico City, on land tied to the former lake basin — so a portal-like mural here sits on layers of Indigenous, urban, and water history. Photo by Gilberto Ruiz.
😈 Devil in the Details — By SubDude in London, UK 🇬🇧
SubDude goes straight for the poster punch. The suited figure stands inside a red smoky frame with horn-like hair, dark wings, and a tail. Torn paper edges and nearby stickers make it feel freshly pasted and not very polite. Photo by Brian B.
🎨 “We Weren’t Born To Follow Rules” — By TVBOY in Berlin, Germany 🇩🇪
TVBOY keeps it clean, direct, and billboard-sized. A young figure reaches across the wall with a spray can, writing “We Weren’t Born To Follow Rules” in red. The pale facade gives the words space, and the real windows pull the action back into the neighborhood. Photo by Stefan Henseke.
🧛 “Dhampir” — By Wuper Kec in Kumanovo, North Macedonia 🇲🇰
Wuper Kec paints the building as a quiet character study. The seated figure looks across the wall, sunglasses pushed up, tattoos visible, hands glowing with pink light. Real windows cut through the image, but the composition makes room for them.
💡 Folklore Fact:Wuper Kec wrote that “Dhampir” draws on research from the Institute of Folklore and the book Vampires in Macedonian Beliefs. In Balkan folklore, a dhampir is often imagined as a being connected to both human and vampire worlds — sometimes feared, sometimes treated as the one who can recognize and fight vampires. That makes the title a local myth key, not just a gothic mood.
🪑 Composition of a Human Body with a Metal Chair — By Artez in Kumanovo, North Macedonia 🇲🇰
Artez makes an ordinary folding chair carry a whole building. The figure floats in the brown wall space: one bare foot on the frame, one hand on the seat, lime green top against the muted facade. A small gesture becomes a careful balancing act.
💡 Nerd Fact:Artez identifies this piece as part of his ongoing Simple Acrobatics series, where ordinary domestic objects become tiny tests of balance and body logic. At Egejska Makedonija 14, it sits near Wuper Kec’s “Dhampir” — one wall turns the body into folklore, the other turns it into a quiet physical puzzle.
🧳 “Czechoslovak Emigration” — By Chemis in Prague, Czech Republic 🇨🇿
Chemis makes the concrete look cracked open, with a frozen migration scene inside. A family stands at the break with documents and luggage. Hands reach from the dark space behind them. It has the weight of a monument, but the street setting keeps it close to daily life.
💡 History Fact:Chemis describes the work as three waves of Czechoslovak exile: before Nazism, after the 1948 communist takeover, and after the Soviet-led invasion of 1968. The address adds another layer: it sits at Československého exilu / Platónova in Prague, where even the street name already carries the word “exile.”
🐕 “ÉGUA” — By Daniela Guerreiro in Escoural, Portugal 🇵🇹
Daniela Guerreiro paints Joaquim António Lavado, known to friends as “Égua.” On the wall, he sits under a tree with a dog beside him. In front of it, a passerby walks a dog. Painted memory and daily life line up for one neat moment.
💡 Nerd Fact:Guerreiro’s post describes Joaquim as a simple, noble, peaceful, genuinely Alentejan man, often with his staff and his dog Campeão. Created in Escoural for Cotovia Tagarela and curated by Robert Panda, the mural works like a village archive: it preserves the kind of local character who might never appear in a museum, but belongs deeply to the place.
🌺 “Guacheneque” — By Cris Herrera & Mr. Garek in Villapinzón, Colombia 🇨🇴
Cris Herrera and Mr. Garek fill the pink wall with nature, body, and red lines. A young figure rests among leaves and flowers. A wild feline watches over her shoulder. The lines move through hands, branches, and heart like veins or rivers.
🏔️ “Infinite Patience” — By Smug in Jasper, Canada 🇨🇦
Smug paints a mountain pause at monumental scale. The climber sits low across the wall with rope and backpack, chin in hand, eyes turned toward the real mountains behind the building. Painted orange peaks meet the Rocky Mountain backdrop beyond the roofline.
💡 “Inside the Light” — By Alexander Dyomkin in Ryazan, Russia 🇷🇺
Alexander Dyomkin gives the building a quiet glowing figure. There are no facial features, only soft light where the face should be, framed by dark hair and blue shadow. Abstract shapes and industrial forms rise around her.
💡 Nerd Fact:The mural is documented at Sobornaya Square 18 in Ryazan, on a site connected to the city’s first power plant. That makes the title “Inside the Light” read like local memory: a wall about illumination placed where electrical modernity entered the city.
💎 “Joyau” / “Everyone is a Gem” — By Fabian Bane Florin in Bergerac, France 🇫🇷
Fabian Bane Florin puts a glowing chamber on the side of the building. A veiled figure sits inside warm crystals, hands around a small light. Blue and pink fabric spills toward the lower edge of the wall.
🐦 “Lo de pueblo” — By Sake ink in Huéneja, Spain 🇪🇸
Sake ink keeps this wall restrained. The portrait uses warm brown tones: a woman in profile, two small birds near her hand and shoulder, and a pale patterned background. The open sky and mountains finish the scene.
💡 Nerd Fact:Sake ink’s post identifies “Lo de pueblo” as a work for the III Festival de Arte Urbano de Huéneja. The title loosely suggests “village things,” which fits the artist’s broader interest: in a FACUA interview, Sake links murals to everyday social and cultural themes rather than gallery-only art.
🔥❄️ Mortal Kombat Underpass — By Gnasher Murals & Nathan Murdoch in Peterborough, UK 🇬🇧
Gnasher Murals and Nathan Murdoch make the underpass a fighting arena. One side burns orange, with a masked fighter holding a blade. The other side goes blue and icy, with a second warrior holding an energy sphere. The tunnel in the middle becomes the game’s stage.
🏚️ “Mucho peso pa’ tan poca vivienda” — By Emi Pintor in Campos del Río, Spain 🇪🇸
Emi Pintor says a lot with a small wall. A tired man bends under a tiny house strapped to his back, while iron balls chain his steps. The rough blocks around him make the painted weight feel physical.
💡 Nerd Fact:Emi Pintor’s post gives the title and notes that it was made by hand in Campos del Río, Murcia. The title translates as “Too much weight for such a small house,” and it lands even harder because Emi’s artist bio connects him to Campos del Río itself — this is a local wall talking about a pressure many locals can read instantly.
🌀 “Mulat Sarira” — By Bosoletti in Kintamani, Indonesia 🇮🇩
Bosoletti packs the wall with bodies, water, shadow, and motion. Grayscale figures twist around a real vent, which becomes part of the image instead of something to hide. Everything pulls inward, then spills back out.
💡 Nerd Fact:Tangi Street Art Festival’s official 2026 page names Mulat Sarira as its theme and explains it as a Balinese phrase about reflecting upon oneself and looking inward with honesty and awareness. That makes Bosoletti’s title less like a caption and more like a festival-wide instruction: look inward first, then look at the wall.
🎶 “The Three Queens of Ireland” — By ACHES in Dublin, Ireland 🇮🇪
ACHES uses a white wall for a layered tribute to Dolores O’Riordan, Sinéad O’Connor, and Dolores Keane. The portraits overlap in transparent yellow, cyan, green, and red. From one angle the faces appear; from another they blend into color.
💡 Music Fact:Cranberries World reports that ACHES called the work “The Three Queens Of Ireland” and painted it at Hynes’ Bar in Stoneybatter, Dublin. The title pulls together three very different Irish music lineages: Dolores O’Riordan’s rock voice, Sinéad O’Connor’s confrontational pop and protest presence, and Dolores Keane’s deep roots in traditional song.
🌸 “Sa arrecada de sa mama” — By KAMMA MARLO in Inca, Mallorca, Spain 🇪🇸
KAMMA MARLO paints the profile with softness and precision. The woman’s dark hair is gathered in a flower-filled bun. Her earring, white clothing, and calm gaze keep the piece close to local portraiture, memory, and ornament.
💡 Language Fact:KAMMA MARLO’s own post confirms the title, while festival documentation places the work around Mercat d’Inca. “Sa arrecada de sa mama” uses Mallorcan/Catalan forms: sa for “the,” arrecada for “earring,” and mama for mother — a small title that keeps family memory in the local language.
Vlek leaves most of the wall empty, which is why the image lands. A tiny child takes a selfie while a huge black cloud rises above them like smoke, storm, or online attention gone wrong. The yellow wall does the rest.
💡 Nerd Fact:Vlek’s post identifies the work as “Jackpot” in Stavanger. The title does the quiet damage here: “jackpot” is gambling language for a lucky win, but in the context of a selfie it flips into a joke about attention culture, where being seen can look like success even when the cloud above you is the real story. Photo by Ferdinand Feys.
✈️ “OMG” / “Ascension Day” — By Vierwind at Noy Land Resort, Armenia 🇦🇲
Vierwind takes public art off the wall. From above, the abandoned plane reads as a giant painted figure: arms across the wings, head along the fuselage, black-and-white detail following the aircraft shape.
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(Kein Regen, kaum noch Wolkenlinien im glatten Weiß, dafür ein Morgen ein Vormittag der Sackgassen. Nachrichten gehen auf die Reise, Wartemeldungen kommen zurück, es ist noch irgendwie Woche und irgendwie auch nicht und etliche Themen werden bis zum Montag liegenbleiben. Aufbau der kommenden Verbindlichkeiten, vorauseilende Nervosität mit Blick auf die Pläne und ihre fehlenden Lücken.) #outerworld #home office hours #stories of procrastination and plans #concrete city
(And then some randomly started application makes use of ones own camera and there's a sudden mirror moment in the early morning and the contrast between self-perception and appearance is hardly more vast at any other time of day. Stories of early frogs and a vast load of minor tasks, resembling the sensation of wading through sand while trying to run. Closing in on 7am, slow and dissatisfied with that.) #outerworld #concrete city #home office hours #where we do what we do
Freitag, dann, als Wochentag, Zeitpunkt, Zustandsbeschreibung: Ausblicke, Rückblicke, Erledigtes, Verschobenes. Unzufriedenheiten. Und noch mehr Handlungslinien. Vorsichtiger Wind aus anderer Richtung, der Verkehr lauter als sonst, das Rascheln und Knistern und Knacken des erwachenden Häuserblocks etwas leiser. Wasser auf Haut, Wasser in Becher, erster Kaffee, fortgesetztes Gähnen, beredte Vögel, früher Morgen und der zweite Punkt auf der Agenda ist stets merklich wichtiger als der erste. Warum auch immer. Habt es mild heute. #outerworld #concrete city #the early hours #waking to the day
The later hours the changing of weathers and never ceasing to be amazed by the play of light on the edges of phases of days. Also, in front of a screen still, or again, catching up on some proceedings while the mind's repeatedly trying to break out and get lost wandering through backyard vegetation, across mud and stones. Late bus, drivers ending starting another shift, cigarettes glowing near the crossroad, messages sent, messages received, not all of them in textual shape. Strategies of communication strategies of implementation and the neighbourhood coming to rest. Have a safe night wherever you are. #outerworld #concrete city #the late hours #half awake half asleep
Der Regen wird nachdrücklicher. Kalter Wind, trübe graue Decke über dem Flieder. Laubenzuflucht. Halb geöffnete Tür. Vibrierender Donner. Unerwartet, intensiv. Man hält den Atem an und stellt sich unsichtbar. #outerworld #urban escapism #concrete city
Späterer Nachmittag, irgendwie, und kurzer Taktwechsel. Regen kommt, geht, kehrt zurück, malt Spuren auf Blech und Sandstein und treibt die Kinder der Nachbarschaft in die Treppenhäuser, während Pendler umeinander rangieren und sich die Stellplätze langsam füllen. Grauer Asphalt, Schlaglöcher, elektrische Roller auf dem Fußweg. Eigene Privilegien. Anderer Menschen Notwendigkeiten. Wünsche und ihre Grenzen. Kurz nach 4: Immer genügend Kontraste im Hier und Jetzt. #outerworld #concrete city #home office hours #afternoon escapism
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“In den USA verlieren Gemeinden Zugang zu Trinkwasser”.
In Deutschland haben großindustrielle Betriebe Wasserentnahme-Verträge, mit jahrzehntelangen Laufzeiten, die ihnen zB mehr als 90% des verfügbaren Grundwassers zusichern. Dazu kommen dann noch zB Rechenzentren für KI-Überwachung!
Was meint ihr, was passiert, wenn in den betroffenen Gemeinden und (Groß)Städten das Wasser so knapp wird, dass es um die nackte Existenz von Menschen gehen wird?
Meint ihr, die Unternehmen verzichten dann “großzügig” auf ihre Entnahmerechte?
Pfff, sicher nicht, schließlich geht es dabei ggf. um Millionen- und Milliarden-Ausfälle!
Und nein, das ist rechtlich alles andere als “zu Gunsten der Menschen vor Ort geklärt”!
Riesige KI-Rechenzentren verschlingen Ressourcen, die Milliarden Menschen versorgen könnten, wie ein neuer Bericht der UN zeigt. In den USA verlieren Gemeinden Zugang zu Trinkwasser und Strom.
Wir sind hier in Deutschland, WHG §22 gibt den Behörden die Möglichkeit die Wasserrechte zu beschränken wenn das Wasser nicht für alle Benutzungen reicht, eine andere Benutzung beeinträchtigt ist oder das Wohl der Allgemeinheit es erfordert.
Allerdings erfordert das einen angemessenen Ausgleich.
Wenns um die Trinkwasserversorgung geht, dann greift der Paragraf mit Sicherheit.
Wenn es irgendwo um Wasserrechte geht, es gibt auch genügend Nutzungen die weder die Menge noch die Qualität des Wassers verändern, ne Flusswasserwärmepumpe und ein Kühlturm eines Dampfkraftwerks sind in der Menge des genutzten Wassers vergleichbar, in der Auswirkung auf Wasserangebot und Qualität aber nicht.
@lofjoh Mein letzter Stand (nach einer Reportage, glaube auf ARD oder arte, und diversen Web-Artikeln) war, dass es eben nicht so einfach wäre, die Entnahme zu beschränken.
Und definiere "angemessener Ausgleich", wenn es um Milliardenausfälle geht (die - je nach Unternehmen - schnell zusammenkommen), wo eine klamme Kommune, die es aktuell in ganz Deutschland zur Genüge gibt, die her nehmen soll?
Riesige KI-Rechenzentren verschlingen Ressourcen, die Milliarden Menschen versorgen könnten, wie ein neuer Bericht der UN zeigt. In den USA verlieren Gemeinden Zugang zu Trinkwasser und Strom.
Later: Lunch breaks and chances of place and pace. Crossing city quarters, following white lines, limiting input to what's needed to get through. Feeling the daily curve of ambitions flatten, as always along the hours and at least after noon, and trying to wrestle that odd constant mood and the shadows cast on it by things undone and ungrasped, by anxieties floating densely enough to leave but little cracks to slip through in between. Reconnecting. Context topic customer switch. Similar yet different. Or vice versa. #outerworld #concrete city #home office hours #stories of technology and communication
(Feuchtkalte Luft im Radkeller, feuchtwarme Luft in leeren Büros. Vergessene Osterhasen aus Schokolade, leicht formverändert. An manchen Tagen sitzen die ersten Handgriffe präzise und abgestimmt, an manchen Tagen muss man den Einstieg intensiver, bewusster suchen und finden. Gegenüber auf der Terrasse wurden Handtücher und Bademäntel vergessen, die Nacht blieb ohne Wind, Auge und Geist erfinden Geschichten und vielleicht ist es ab einem gewissen Punkt besser, sich Routinen zuzuwenden, weit genug oben über dem anderen Viertel.) #outerworld #concrete city #office hours #stories of morning lights
☀️ Some kind of awake and out into the morning again. Sunrise, clouds, light through stained windows along the staircase. First brief interactions, neighbours on their way into individual realities. A bit from things yet part of everything.
moments written in light: water, paper, uncertainty - is a journey through cyanotype landscapes, where words and images merge into fragile, blue moments.
Coming soon as one of a kind journal.
Wieder Morgen zwischen Radioklängen, wieder kurzes Aufflammen des Vorsatzes, den Wecker anders einzurichten, und sich sofort in der Techniker-Gedankenwelt wiederfinden, in denen Dinge Konfigurationen und Optimierungen zulassen müssen, um gut zu sein. Sehr unsicher, ob dort Muster existieren, die andere Themen in anderen Bereichen der eigenen Welt problematisch werden lassen. Aber vielleicht ist so früh am Tag vor dem ersten Kaffee kein Strang von Überlegungen mehr oder weniger klug oder relevant als alle anderen, vielleicht hat der Moment eine Leere in sich, die ein Sinnieren zulässt, ohne allzu sehr vorbelastet oder eingeschränkt zu sein. Ein anderer Faden, der kurzfristig ohne Einsicht und Abschluss bleibt. Habt es mild heute. #outerworld #concrete city #waking to the day #the early hours
Hours later, near an open living room window. Gazing at the evening sky the somewhat dark facades the few lit windows. Breathing the early night air, the scent of concrete and trees and soil and meadows and a hint of the river nearby. Letting all senses sink into that moment, as the morning and day seem already and once more far from here. Wrapping up. Shelving. Yawning. Not asking the model for rest as some answers would be confusing to anyone including oneself. Sleep safe everyone wherever you are. #outerworld #concrete city #evening deviations #stories of sleepy souls and restless minds
Der Nachmittag, ferner oder näher: Offene Tickets, geschlossene Aufgaben, Entwürfe von Tagesordnungen und jede Menge unstrukturierte Fakten, die links und rechts des geplanten Pfades liegen und noch zu sortieren sind, bevor ein greifbares, großes Ganzes entsteht. Themen für später, wann auch immer, und vor allem für die inneren Schleifen, die sich beschäftigt halten und manchmal langsamer, manchmal schneller drehen. Kurz nach 4, kein weiterer Kaffee. #outerworld #concrete city #where we do what we do #office hours
Lustig, das in diesem Moment zu lesen. Ich hab mich gerade an den Schreibtisch gesetzt, um die zweite Worksession des Tages zu beginnen, und eine große Ladung Espresso dafür gekocht.
Renaissance Ratboy
Als Antwort auf Coach Sankhavaram ® • • •Tokyo Outsider (337ppm)
Als Antwort auf Coach Sankhavaram ® • • •@paninid
DeManiak 🇿🇦 🐧-The Stinkening
Als Antwort auf Coach Sankhavaram ® • • •🤣🤣🤣
oh, what a time to be alive
Weyoun 6
Als Antwort auf Coach Sankhavaram ® • • •kilogram.makeup - Post
kilogram.makeupCoach Sankhavaram ®
Als Antwort auf Weyoun 6 • • •@weyoun6 @alberta.tech
“Api” bill is sending me on a 🚀 to 💀
Nitin Khanna
Als Antwort auf Weyoun 6 • • •Urzl
Als Antwort auf Coach Sankhavaram ® • • •Ludwig Vielfrass
Als Antwort auf Coach Sankhavaram ® • • •qurlyjoe
Als Antwort auf Coach Sankhavaram ® • • •Lord average
Als Antwort auf Coach Sankhavaram ® • • •Galbinus Caeli
Als Antwort auf Lord average • • •GhostOnTheHalfShell
Als Antwort auf Coach Sankhavaram ® • • •Fer real-sies . Subsequent to Nvidia executives admitting that AI is more expensive than workers, Uber CEO I think it was the CEO said the same thing.
There’s no way to measure productivity with AI. Using it is a crapshoot. Ed Zitron says he has asked everybody he can find if they have a way to measure the difference in productivity and they say no.
It’s a digital tulip craze.
GhostOnTheHalfShell
2026-05-05 00:59:00
Lord Caramac the Clueless, KSC
Als Antwort auf Coach Sankhavaram ® • • •Coach Sankhavaram ®
Als Antwort auf Lord Caramac the Clueless, KSC • • •Chuck
Als Antwort auf Coach Sankhavaram ® • • •Coach Sankhavaram ®
Als Antwort auf Chuck • • •@ChuckMcManis
Carl
Als Antwort auf Coach Sankhavaram ® • • •tuban_muzuru
Als Antwort auf Coach Sankhavaram ® • • •Sibshops
Als Antwort auf Coach Sankhavaram ® • • •tuban_muzuru
Als Antwort auf Sibshops • • •[incredulous] how are you debugging?
Juho Mäntysalo
Als Antwort auf Coach Sankhavaram ® • • •Hot Dog Water - Mitch-Free
Als Antwort auf Coach Sankhavaram ® • • •Surely the return is just around the corner. They should empty Lake Tahoe to find out.
Then we can put them in the dry very-bottom, and fill it with all the server towers they worship so much. Like they're still-kicking Egyptian kings, getting to take all their treasure with them to the afterlife and think about it for a minute first.
Pete's Mom 🍉 🇺🇦 ☮️
Als Antwort auf Coach Sankhavaram ® • • •Davide_Sandini
Als Antwort auf Coach Sankhavaram ® • • •What a surprise...
GhostOnTheHalfShell
Als Antwort auf Coach Sankhavaram ® • • •Edward
Als Antwort auf Coach Sankhavaram ® • • •Chairman Meow ᓚᘏᗢ 🐿️🍉
Als Antwort auf Coach Sankhavaram ® • • •Well sure, but when you have the AI do it you can be confident that it was done correctly, whereas with humans you...
Hang on, I'm getting an update...